A fintech marketer needs a hero image for a new savings product. The obvious shot is a stack of cash, maybe fanned out on a desk, maybe with a calculator next to it. Simple brief, should be a five-minute Photoshop job on a stock photo. Coinis's finance industry page hears this brief constantly, and it almost always runs into the same wall.
Except that five-minute job sometimes just doesn't open. Or it opens, and the moment you try to edit it, color blocks appear, areas desaturate, or the save silently fails. That's not a bug in your copy of Photoshop. It's a deliberate, decades-old anti-counterfeiting system built into the software itself, and most marketers who hit it have no idea what's actually happening.
The counterfeit deterrence system, explained
Adobe's own support page for Photoshop spells it out plainly: the application "includes a counterfeit deterrence system (CDS) that prevents the use of the product to illegally duplicate banknotes," and "as implemented, CDS prevents customers from opening detailed images of banknotes within Photoshop." Adobe didn't build this unprompted. Per the same page, the technology "was commissioned by the Central Bank Counterfeit Deterrence Group (CBCDG), a consortium of central banks from around the world," and Adobe added it to Photoshop at the CBCDG's request.
The CBCDG isn't a theoretical body. Its own site, rulesforuse.org, states the obvious up front: "Every country has legal restrictions on the reproduction of banknote images... in some countries, any reproduction of banknote images, even for artistic or advertising uses, is strictly forbidden." The same page describes the CDS as a system "voluntarily adopted by hardware and software manufacturers" that "prevents personal computers and digital imaging tools from capturing or reproducing the image of a protected banknote."
How does software recognize a banknote in the first place? Part of the public answer is the EURion constellation, a pattern of small circles first identified by security researcher Markus Kuhn in 2002 while testing a Xerox photocopier that refused to reproduce a 10-euro note. Per Wikipedia's technical summary, the pattern "is added to help imaging software to detect the presence of such a document in a digital image," and "the mere presence of five of these circles on a page is sufficient for some colour photocopiers to refuse processing." It shows up disguised in a note's own design: as the zeros in small denomination numbers on US bills, as musical notes on older Bank of England notes, as flower shapes on Japanese yen. It's one visible piece of a detection system whose full technical details, per the same source, "are kept secret by its inventors and users."
The practical result for a marketing team: a real photograph of real currency is a legally gray, technically unreliable asset to build a campaign around. Even where local law permits some reproduction, there are restrictions on angle, completeness, and purpose that vary by country, and the imaging software you're using may block or distort the file regardless of what your jurisdiction allows.
The imagery problem goes deeper than one blocked file
Currency photography isn't the only imagery gap in finance marketing right now. Getty Images' June 2026 "Great Finance Reset" report, drawn from more than 750,000 finance-brand image and video downloads over three years plus survey responses from over 3,200 US consumers, found that 75% of consumers want finance brands to show "realistic depictions of everyday life" and that the industry's decades-old visual vocabulary, handshakes over boardroom tables, suited advisors, stacks of cash, increasingly reads as dated rather than trustworthy. The report also flagged a format gap: 78% of Americans consider video the most engaging visual format, yet only 11% of finance-brand visuals are video.
Put those two problems together and the brief gets harder, not easier: the most obvious literal asset (real currency) is a legal and technical minefield, and the generic alternative (polished boardroom stock photography) is precisely what research says is losing trust. The answer isn't a better stock photo search. It's not needing a photograph of currency at all.
What to generate instead: abstract financial metaphor, not a fake banknote
Coinis Ad Studio's generate_image_templates tool builds a new ad image from a described product or brand concept and fans it across every aspect ratio a campaign needs. For a finance or fintech brand, the brief that works isn't "generate a photo of money." It's a description of a financial concept rendered as an original visual metaphor: a stylized stack of gold-toned geometric coins, an upward-trending line rendered as clean abstract geometry, a minimal credit-card-shaped icon catching studio light. None of it resembles a specific real banknote, denomination, seal, or security feature. None of it needs CDS to clear, because there's no protected currency image anywhere in the file to begin with.
Illustrative concept shown here: Coinis's mcp.coinis.dev generation endpoint was experiencing an access-token outage at drafting time, so this specific square render was produced as an illustrative stand-in rather than a live generate_image_templates call. The tool itself is real and demonstrated with a working render in this multi-format fan-out article.
Same concept fanned across the three formats a real campaign needs (square, story, landscape). Same outage note as above applies to this illustrative fan-out mockup.
This isn't just a workaround for the CDS problem. It's the more honest brief in the first place. A stock photo of a stack of hundred-dollar bills says nothing specific about what a savings app, a payments platform, or an investment tool actually does. An abstract visual built around the brand's own concept, growth, security, simplicity, says something the generic cash shot never could, and it fans into every format Ad Studio supports without a single legal or technical question mark attached.
Building this into a real finance campaign
- Write the brief around the financial concept, not the literal object. "Growth," "security," "simplicity," and "access" are all strong visual briefs. "A photo of cash" is a brief that was never going to clear the legal and technical hurdles cleanly in the first place.
- Keep every generated asset abstract and original. No realistic banknotes, no attempt to reproduce a specific currency's denomination, seal, or security pattern, generated or otherwise. This isn't just a Coinis guideline, it's how you stay clear of the same legal territory CDS exists to protect in the first place.
- Fan the winning concept across every format before you need it. Run one
generate_image_templatescall per aspect ratio (square, story, landscape) from the same brief so the campaign launches with a consistent visual language across placements, not a single hero image stretched awkwardly into whatever size a platform demands. - Take the fanned set straight into Ad Studio's templates. The generated images are the raw material. Dropping them into a template builds the actual launch-ready ad, copy, CTA, and format-correct layout included, rather than leaving a marketer to assemble that by hand in a separate design tool. A competitor-recreation pass or an automated variation set both start from the same original concept once it exists, so one clean abstract brief feeds several different launch paths instead of one static image.
If your team already has in-house stock licenses that clear legal review in your jurisdiction, that's still a legitimate path for brands with a specific regulatory sign-off, this article doesn't suggest otherwise. For every other finance or fintech team weighing a quick campaign asset against the actual rules governing currency images, generating an original abstract concept is faster to produce, clears every legal question before it's asked, and performs better with an audience research shows is tired of the same decades-old boardroom-and-cash visual vocabulary anyway. Build it in Ad Studio and skip the currency-reproduction question entirely.
FAQ
Can I just crop or zoom into a banknote photo to avoid triggering CDS? Not reliably. Per Adobe's own CDS page, the system is designed to detect "detailed images of banknotes," and partial crops or edited versions are not a documented, guaranteed way around it. More importantly, cropping doesn't resolve the separate legal question of whether reproducing any part of a protected currency image is permitted in your jurisdiction in the first place, per the CBCDG's own rulesforuse.org.
Is it illegal everywhere to photograph money for an ad? No, rules vary by country and by currency, and some jurisdictions permit limited reproduction under specific conditions. The CBCDG's rulesforuse.org is the authoritative source for country-by-country and currency-by-currency rules, not a marketing blog. If your brand has an active legal need to use real currency imagery, that site and your own counsel are the right next step, not a generated substitute.
Does using an abstract generated image instead of real currency imagery guarantee ad-platform approval? No. This article addresses the CDS/reproduction-rights problem specifically. Meta, Google, and other ad platforms have their own separate financial-services ad-content and targeting policies (including Special Ad Category rules for US employment, housing, and financial-product ads) that apply regardless of whether your creative uses real or generated imagery.
What's the fastest way to test a few visual directions before committing to one? Generate two or three distinct abstract concepts (a coin motif, a graph-line motif, an icon-based motif) in square format first, since that's the cheapest single format to produce and judge, then fan out the winning direction into the remaining formats once you know which concept actually represents the brand.
Sources
- Adobe, "Counterfeit deterrence system (CDS) | Photoshop" (helpx.adobe.com/photoshop/cds.html), last updated 2021-04-27, accessed 2026-10-22.
- Central Bank Counterfeit Deterrence Group, rulesforuse.org (official CBCDG site), accessed 2026-10-22.
- Wikipedia, "EURion constellation" (en.wikipedia.org/wiki/EURion_constellation), accessed 2026-10-22, citing Markus Kuhn's original 2002 discovery.
- Getty Images, "The Great Finance Reset" press release (newsroom.gettyimages.com), published 2026-06-30, accessed 2026-10-22.
- Meta Business Help Center, "About ads for employment" and "How to Choose a Special Ad Category" (facebook.com/business/help), accessed 2026-10-22, cited for the FAQ's platform-policy caveat only.
Isidora Matovic
Author
Social media enthusiast and a full time researcher. She takes digital presence very seriously and that is why you are always in touch in what is going on with us! Follow us for more posts like this.